I’m Sailor Sun with light-up pigtails, and my superpower is catching boys with my lasso hair.Īnd in terms of the song itself, it’s a western-inspired pop record – how did you end up at that source of inspiration? The cartoon alter ego my video team at NGM created is me as an anime. I think I modelled my artist persona and my life after Sailor Moon. The girl with superpowers, super long pigtails, and her gang of best friends. My favourite anime is Sailor Moon and I’ve been obsessed with her since I was little, and I always wanted to be her. The animated video for “Wild Girls’’ is simply iconic! Tell us about the cartoon cowgirl version of you that we see here. I felt so lucky that I had the idea and was so excited when I found out I can use it. Even though I didn’t start the song with the sample, once I incorporated it into the song it gave so much more depth and western authenticity to the record.
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I think it’s so cool when different arts combine and it’s rare that a movie theme is used in a pop song. They originally said no but I never take no for an answer and in the end, my team and I made them change their minds. It was a really hard and lengthy process though, as Morricone’s family were a tough crowd to convince. I decided in my head that it had to be cleared because there was no way I would’ve released the song without it.
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What was the process of gaining that like, and how did you feel when you found out you could use it? What an amazing addition also to have the interpolation of Ennio Morricone’s “The Good, the Bad and the Ugly” approved by his family. And that day a little inner voice said ‘today is the day you’re gonna write “Wild Girls”, and so I did. I always have titles floating around me, like butterflies and I always wait for the right time to catch them.
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I’d wanted to write a song called “Wild Girls” for a while – I had the title floating through my mind. It came to my head just like that, with lyrics and everything.
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In a silent moment, I started singing the chorus of “Wild Girls”. The sun came out for like a second, so we went on the terrace with a guitar and started writing an idea. It was a rainy day in London when I wrote “Wild Girls”. Thank you! I agree this one turned out great! I love it when a song comes together like this, where I’m in love with every little part of it. I always travel to different countries to write songs and I think that’s my favourite thing about making music, getting to experience different cultures and making friends all over the world.Ĭongratulations on “Wild Girls”! It’s such an all-out pop banger, the likes of which we’ve come to only expect from you! What was your headspace when you entered the studio the day you made it? I go insane if I stay in one place for too long. I own a bed in Los Angeles so I would say I’m based there, but I love travelling around. Hey Sorana, how are you? Where are you speaking to us from? Head below for our chat with Sorana on all things “Wild Girls”, fusing Western movies into pop, and breaking the largely English-speaking global music industry as a Romanian artist…
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It follows January’s David Guetta collaboration “redruM” and May’s “Karaoke”, cementing 2022 as the year Sorana has truly caught the attention of audiences in her own right, evidenced by the 1.1M monthly Spotify listeners anticipating her next move. “Wild Girls” is a stomping, Western-inspired, club-ready anthem, which interpolates Ennio Morricone’s legendary theme for 1966 Clint Eastwood-starring The Good, the Bad and the Ugly, with approval from Morricone’s family. However, Sorana’s new single and third of the year proves yet again the LA-based artist’s destiny for pop supremacy in her own right. The songwriting sensation’s name is credited on Ava Max’s “OMG What’s Happening”, Jason Derulo’s “Be The One”, and the platinum-selling, Brit-nominated, ubiquitous “Heartbreak Anthem” for Little Mix, David Guetta and Galantis. If you’ve turned on the radio or flicked through a pop Spotify playlist in the last few years, you’re bound to have heard some of Sorana’s handy work.